The Body Imaged

£20.00

edited by Kathleen Adler and Marcia Pointon

Paperback (240 x 170 mm), 214 pages

Published by Cambridge University Press (1993)

Language: English

Type of book: Non-fiction – Art History

ISBN: 0-521-44768-2

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Description

Subtitle: “The Human Form and Visual Culture since the Renaissance”.

Includes 42 black & white illustrations.

Condition: Used – Very good.

Consists of the following articles:

David Lomas, “Body languages: Kahlo and medical imagery”

Amelia G. Jones, “The ambivalence of male masquerade: Duchamp as Rrose Sélavy”

Tamar Garb, “The forbidden gaze: women artists and the male nude in late nineteenth-century France”

James E. B. Breslin, “Out of the body: Mark Rothko’s paintings”

Michael Hatt, “Muscles, morals, mind: the male body in Thomas Eakins’ Salutat

Patricia G. Berman, “Body and body politic in Edvard Munch’s Bathing Men

Whitney Chadwick, “The fine art of gentling: horses, women and Rosa Bonheur in Victorian England”

Kate Flint, “Blood and milk: painting and the state in late nineteenth-century Italy”

Sharon Fermor, “Movement and gender in sixteenth-century Italian painting”

Julia Ballerini, “The in visibility of Hadji-Ishmael: Maxime Du Camp’s 1850 photographs of Egypt”

Briony Fer, “The hat, the hoax, the body”

Marcia Pointon, “The case of the dirty beau: symmetry, disorder and the politics of masculinity”

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